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Unfortunately things didn't go quite as smoothly as the city authorities hoped. They started to suspect that Dixon wasn't sticking either to the agreed plan or his contract so they called in Robert Stribling, the architect behind the creation of Bedford Circus, to see what was going on. Having surveyed the work, Stribling reported back that there had been a "considerable departure from the contract - that the pier is in no way regular in courses or wrought fair" and that the Portland stones of the upper course were "raised by small stones to keep them in course". Stribling ended his report by saying that the work was so shoddy that it would "within a short time be fretted out by the water" and that there had been a "total neglect in the workmanship". After much deliberation, a majority of the Bridge Committee instructed Dixon to continue, despite the reservations of one of the city's own leading architect-builders. Some things never change, as later events would prove that the city authorities made the wrong decision in putting their faith in Dixon. Clearly Dixon had been slip-shod in his construction of the piers' foundations and it was a disaster waiting to happen.
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Another almost-contemporary historian, George Oliver, blames Dixon for being "unfit for his work". Jenkins calls it "an unlucky accident" and then blames the architect as well. Preventative measures were taken to save the still-used medieval bridge, the city's only link to the west. Despite the water beating against the ancient arches "with much vehemence" and making "the whole fabric shake", it weathered the flood intact. How galling for the city though: they decide to replace a 600-year-old bridge and the new one gets destroyed at the first opportunity before it's even finished!
The image above shows the Georgian Exe Bridge c1890. Everything in this view, including the river banks, has since been destroyed to the point where today the same scene is unrecognisable. The postcard view below right shows the bridge shortly before its demolition.
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Yet another foundation stone was laid on 15th July 1776. Work began on New Bridge Street soon after, one consequence of which was the destruction of the church of Allhallows on the Walls, a church that had already been damaged during the sieges which affected Exeter during English Civil War. Jenkins records that, during the church's demolition, "the remains of many human bodies, and fragments of old tomb-stones, were dug up". In 1778 the boundary line across the river demarcating the change in authority from the City of Exeter to the County of Devonshire was decided upon. The word 'Exon' was inscribed upon the central pier of the bridge on the city side of the demarcation line with the word 'Devon' on the other. Shortly afterwards, in early March 1778, the bridge was officially completed, having cost the enormous sum of £30,000. The city authorities wanted to charge pedestrians for using it but, relates Oliver, the idea was so "obnoxious" to the citizens and their MP that the idea was dropped.
The finished three-arched Georgian bridge of the 1770s was exceptionally attractive, embodying all of the architectural traits associated with that period: simplicity, refinement and classical elegance. Constructed from white Portland stone, the bridge had a stone balustrade, the central arch of the bridge being wider than the two on either side (according to Todd Gray the stone balustrade was reused on the terrace at Culver House in nearby Longdown). The 18th century bridge was demolished in 1903 and it was replaced with an Edwardian steel and iron bridge, not unattractive by any means but perhaps without the grace of the Georgian bridge which served the city for 130 years. The Edwardian bridge would prove to be the shortest-lived of all the Exe Bridges but that story will have to wait for another post. The current Exe Bridges (both identical) are completely typical utilitarian products of their time. They carry a lot of cars over the river and that is about all you can say about them. They have no visual, historic or aesthetic merits whatsoever.
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